Events for Thursday 7th of December 2017
Over the past eighteen months I have spent many days walking in the
Yorkshire Wolds trying to connect the idea of an inner landscape with
the reality of outer ones.
The images produced for this project overlay layers of text, which relate to thoughts, ideas and observations made during this time, over black and white images of the distinctive Wolds landscapes .
The Text layers in the images are key and function on several levels, often the words used to describe aspects of a landscape can also be use to describe feelings or mental states, isolated, harrowing, edgy, inacessible, whilst our obsession with the weather is dominant in all the images, set fair, clearing rain, overcast. The limits of a photograph are tested, as events happening outside of the frame, and indeed the time frame of the image are referred to , white noise falls soundlessly, kites soar out of view, a smell of rain in the ears… the structure of the composition and indeed the media is explored, distance flattened, a Wet Colloidan glow, extreme cropping. Whilst the issues of our stewardship of the countryside and access to it, are integral, hedgehogs still missing, a pattern of refusal, agitation necessary.
The unique Wolds landscape has not been immune to the effects suffered across the county as a whole due to intensive farming methods, increased pollution and population growth. There has been a consequent drastic decrease in the numbers of some species of birds, animals and butterflies which were previously common sights in the Wolds grasslands. Between 1972 and 1996 Skylarks have declined by 75%, Curlews by 64%, many previously common species of butterflies such as the Dingy Skipper and Brown Argus and Green Hairstreak are now extremely rare and seldom seen in the Wolds. The water vole population in the Wolds has dropped by 90% percent due to the intrusion of American Mink.
There are twenty pieces of work in the project, they are printed as limited edition prints, size 66cm x 44cm, on Aluminium Dibond material.
This group of paintings developed from Nigel's interest in the way human beings use signs & symbols in a variety of contexts – prehistoric art (after a visit to the caves at Lascaux); modern road signs; signage in public buildings, corporate logos etc. There was a layer of meaning in these symbols and colours.
Steptoe & Son
Albert and Harold; father and son One proclaims he’s “a poor old man” while the other protests that actually he’s “a dirty old man!” In actual fact, both are telling the truth. These two warring rag-and-bone-men, in their Shepherd’s Bush scrapyard home, became household favourites for entire generations throughout the 60s and 70s and still they continue to entertain audiences today.